Country: 200.147.96.73, South America, BR

City: -43.2192 , Brazil

Just as expected. The back is a little loose/wobbly, but it does the job of keeping the dirt off the carpet.

I really wanted to like this iron and after seeing it on my Facebook and Instagram for months I finally bought one. I tried it immediately when I got it when clean blowed out hair. It did nothing at all. I watched about 5 tutorials on YouTube and it still did nothing. I got the slightest curl maybe two times out of the hour I spent playing around with it. The worst part is that it fried my hair so bad my hair smelled burnt for two days afterwards, and I wash my hair every morning. It is absolutely not worth it. I was one of the ones reading the reviews like "well maybe they did it wrong" or "I'm sure mine will be different" but no. Listen to me and all the other bad reviews. Don't do it. Save your money. This thing should be a magic wand for $200. DON'T BUY IT!!

I purchased one of these over a year ago and absolutely love it. I recently ordered another one for a second computer and it isn't at all the same. HandStands is packaging their model 59107 as this mouse mat also. 

Too much opera, not enough rock. When I bought this recording, I expected to hear Jesus Christ Superstar, not Phantom of the Opera! Gone are Ian Gillan's dynamics, from sweet, soft, tender, vocals to intense, high-pitched, screaming vibratos. Replaced instead with someone who would be better served playing the role of "Cherubino" in the Marriage of Figaro. Murray Head, while perhaps not the worlds best vocalist, brought passion and a lot of emotion to the part of Judas. Zubin Varla brings a bunch of right notes, but little else. I've had this recording for over a year now and despite several attempts, (the most recent one bieng last night) I've only made it to the end once. I simply find this version unlistenable. If you've never heard the original or simply didn't like it, you may find this one to your liking. As for me... I grew up with the original version and sadly, have found all other renditions I have heard to be musical blasphemy!

The best story in this is by a young writer, Emma Torzs, "Word of Mouth" whose style, tone and voice are so real, so authentic sounding, that the broken parts of people--including the narrator's-- resonate as all excellent writing should.